And it made life much easier on the casting director. Still, that was an opportune directive for the rainbow of kids who have since been cast as Billy. “It’s hard enough to find (qualified) kids to play the role,” he said. One reason it’s open casting, says Daniel Russell, the Australian Billy, is that it pretty much has to be.
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Luckily for Brennan, when director Stephen Daldry decided to bring his “Billy Elliot the Musical” franchise from London’s West End to America in 2008, he said Billy could be anyone of any look, as long as he was short, had an unchanged voice and could meet the demands of the role. Those who finally make the cut join some very exclusive company. Those who show promise are guided into the better ballet schools, and Brennan monitors their progress every six months. “But if they don’t, we can teach them that.” If they show a proclivity for tap or acrobatics, “that’s a bonus,” she said. Brennan looks for boys who already have had at least two years of serious ballet training.
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Once she finds one with the potential to be Billy, it can take a year to make him ready to perform. and no one has ever called that unprecedented recognition a stunt.īrennan tracks kids all over the world. When the Broadway production opened in 2008, all three original Billys shared the Tony Award for best actor in a musical. “It’s mind-boggling to think about what Billy has to do in three hours on that stage,” said Brennan. “They know this is a moment in time that will one day end.”įinding Nemo is a lot easier than finding a Billy with the skills the role requires. “They are all well aware of the height and other issues from the start,” said Nora Brennan, children’s casting director for the “Billy Elliot the Musical” productions on Broadway, in Toronto, and now touring America. Heck, even Jamie Bell, star of the film that started it all, is already 25. In the business, it’s called “aging out.” And it happens to everyone. Those are the rules of the game here - and And when your voice changes, or when you hit 4-feet-10, then it’s time to move on to the rest of your life. Boom! marks Lin-Manuel Miranda's first run at directing, and while he's occasionally razzed for his earnestness, in this instance it's his greatest strength, as his admiration and deep understanding of Larson and the source material clearly comes through.It’s great to be Billy Elliot – The Denver Post Close Menuīut nature will take its course. The viewing experience benefits from the viewer being somewhat familiar with Larson's work and legacy - mainly his premier work, Rent, which tragically opened on the day of his death from an aortic aneurysm in 1996 - but doesn't require it, especially with an energetic and contemplative performance by Andrew Garfield as Jonathan. In the midst of chaos - relationships, a day job at a diner, the AIDS epidemic - Jonathan must decide if he's going to stick with his dream of becoming the next great musical theater auteur or sell out.
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Boom! affectionately plays tribute to its originator, vaguely fictionalizing his life just before his 30th birthday in 1990.
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It's absolutely worth a view for the always entertaining story, an Oscar-winning turn by Hathaway (and her Very Good short hair), and the novel live singing, but perhaps if you're going to have people sing live, you might want to cast more, oh, I don't know.singers? Just a thought!Īdapted from the late Jonathan Larson's autobiographical one-man show, Tick, Tick.
BILLY ELLIOT BROADWAY CAST MOVIE
Operatic in construction and sweeping in scope, Les Misérables was one of the most anticipated movie adaptations of any musical in recent memory, with fair results. Over decades, he is hunted by single-minded police officer Javert (Russell Crowe) as he cares for Cosette (Amanda Seyfried), the daughter of ill-fated factory worker Fantine (Anne Hathaway) whom he takes in as his own. After Jean Valjean (Hugh Jackman) is released from prison after 19 years for stealing a loaf of bread to feed his starving nephew, he assumes a new identity to escape his parole. Les Misérables is perhaps one of the most epic modern musicals ever, and if you couldn't already tell from the name that it's set in France, knowing that it all begins with drama over a loaf of bread should seal the deal.